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Tuesday, May 29, 2012

Summer Films

No list of this sort is going to NOT include 'The Dark Knight Rises', unless the author is just TRYING to piss people off. I don't think 'DKR' will break 'Avengers' box office record- but it's going to be astonding, and that's all I have to say on the subject. Elsewhere though, things might not differ too much- or maybe it will, oh well, here goes:

The Amazing Spider-Man- Andrew Garfield and Emma Stone initially sold me on this, but the latest trailer was crazy great too and I realized something- 'Spider-Man' may be one of my favorite superheroes. There is something innately fun and, ultimately, cool about him and this film could be the second best Spidey flick ever- but I won't walk in expecting 'Spider Man 2'.



Woody Allen's latest 'To Rome with Love'- This has an incredible cast of people that can really pull off Allen's signature schtick, hopefully this is 'Annie Hall' in Rome.



Snow White & the Huntsman- Charlize Theron looks INCREDIBLE in the trailer for this movie. Will it live up to that first trailer?



Prometheus- The final trailer finally sold me on this film. I'm anxious to see if the aliens from Ridley Scott's previous franchise actually make some appearance here. If not, it still looks really solid.



Savages- Oliver Stone returns to gritty violence, sex and drugs and if it's half as good as 'Scarface' then it'll be a winner.



Ted- Seth MacFarlane's first foray into feature films is one of the biggest "maybes" of the summer season. It's either going to be uproariously hilarious or fall completely flat. I'm hoping for the latter..


Take This Waltz- Okay, so this is one of those smaller films that won't make $500 zillion dollars but looks great and has been getting great early buzz. The cast is solid, and I'm especially interested in seeing a dramatic turn from Sarah Silverman.


The Campaign- This is a late summer comedy featuring Will Ferrell and Zack Galifinakis as two politicans battling a for a local senate seat- hopefully it'll be both biting satire and stomach-churning hilarity.


Tuesday, February 28, 2012

Academy Awards/AngiesRightLeg

Well the Academy Awards are over and it's hilarious to me that the first Oscar ceremony since I can remember that I DIDN'T care about ended up entertaining me more than any in recent years. Not paying attention to the pre-Awards mumbo-jumbo actually helped me enjoy the show. Next year, I'll try to actually SEE more than just a handful of nominated films.

BEST MOMENT OF THE NIGHT...
Angelina Jolie's RIGHT LEG!!!!! One of the best moments of the night. http://pinterest.com/buzzfeed/legbombing/

Tuesday, February 14, 2012

Just when she couldn't get better...

SHE CALLS 'JAWS' A FAVORITE MOVIE OF HERS.

Chelsea Handler interview from THIS MEANS WAR (Exclusive) - JoBlo Video

"I just don't know Linus. I just don't know."

First official trailer for Abraham Lincoln: Vampire Hunter is here! - Movie News | JoBlo.com

Guillermo del Toro will direct Beauty and the Beast starring Emma Watson - Movie News | JoBlo.com

Guillermo del Toro will direct Beauty and the Beast starring Emma Watson - Movie News | JoBlo.com

Okay, so this is the most exciting film news to hit me in awhile. I'm looking forward to Emma Watson (and the rest of the 'Potter' crew) breaking out beyond the 'Potter' films. I whole-heartedly believe that series was immaculate from start to finish, and with the esteemed elder actors to learn from- they all have the potential to transcend that universe. This is my favorite Disney classic, and Guillermo is one of the perfect directors to make this a gothic classic. If it's half-'Pans Labyrint' was, we are in for a treat.

Wednesday, February 1, 2012

California

So, I've always wanted to move to California. I've always told myself I couldn't for one reason or another. But it's finally happening. And I'm so happy for it. Sometimes, the worst things that happen to you can lead to the greatest opportunity- and maybe what you were missing all along. Thank God for a friend to finally come around that is ready to go as well. It's daunting to think about, but it's possible. And I'd rather go out there and struggle to make it than struggle to make it here. I don't have any aspirations to be "discovered" or anything. My desire to move to California has been instilled for a good chunk of my life.

In high school I'd day dream about moving away after it was all over. I found "love" and the dream never went away, it just went dormant. But sometimes things don't work out the way you expect them too...and now I'm coming to terms with the hand I've been dealt, and I finally see a bright shiny light (probably the glistening Cali sun on the beach)! I'm ready to completely go off on my own and live my life fully for me.

Thursday, January 5, 2012

'Contagion' Rewatch

Gonna go on a rant about 'Contagion'- a film I put on my top films of 2011 list before checking out for the second time. It just stuck with me in the theater, but frustrated me at the same time. Still it affected me more than most films, and watching it today I understand even more what stuck with me and what didn't work. It's not a perfect movie, but most aren't- and in a crappy year (in film, in general, 2011 was for the BIRDS) it stood out.


What REALLY stood out is the excellent synth-score by Cliff Martinez. Trent Reznor and Atticus Ross won an Oscar for their masterful (and I don't throw that word around lightly) 'Social Network' score. The whole movie is pretty much the perfect film- or most perfect film I've seen. Easily favorite film of all time. Mad love for 'Social Network'. But what really made that movie pop and this one too, is the electro-synth-y score that sticks in your head. I thought one of the most disappointing aspects of the 'Girl with the Dragon Tattoo' score by TR/AR lacked as many really great grooves. I really want to see it again.

Back to 'Contagion'- the cast is great across the board too. Gwyneth Paltrow really makes an impression, as does Kate Winslet and relative unknown Jennifer Ehle. Steven Soderbourgh does well with large Hollywood casts- and I like these types of films. The only thread that feels unfinished would be Marion Cotillard's. But she does well despite.

Wednesday, January 4, 2012

Top Films of 2011

So I've almost finalized my top films of 2011 list (like one of these lists is ever really 'final'). 'Shame' opens here next weekend and it's the last film I expect could have an impact on my list. Despite that here's the list.

10
This throwback to the 80's was more heartfelt and boisterous than I expected it to be. Less 'Dazed and Confused' for the 80s than I wanted it to be, but I highly enjoyed it on its own merits. The cast is spot-on & the look and music is more subtle than that poster would suggest. 

9
Here's the obligatory movie I walk out of disliking and as the days and weeks progressed I couldn't stop thinking about it. This movie was NOT what I walked in expecting. It was actually a bit more, and a bit polarizing to boot. The performances are strong across the board and Steven Soderbergh's direction is apt. The script is complex and doesn't always stop to give answers. And the final scene was extremely effective.

8
I've grown to appreciate this brilliant comedy more since it's release on DVD after being mildly disappointed with it in theaters. Kristen Wiig and the whole cast is just spot-on. Everyone has a natural, organic chemistry in this movie that makes the whole film effortlessly enjoyable. That it runs too long and could have been tightened, beside the point.

7
This is a subtly sinister film with deeply involving ideas about life and memories and how people identify themselves in this world. Elizabeth Olsen is great here, and should definitely garner an Oscar nomination. This is one of those indie films without easy answers that a lot of people ignore- and they should shouldn't.

6
This was a perfectly executed finale to this series. It tied up all the loose ends and brought some surprisingly emotional endings to these character's arcs. Notably my favorite character from the series, pictured above. His main scene here alone is just phenomenal and brings all that character's actions into focus in such an amazing way. If they had released this finale as one long epic 3 1/2-4 hour epic it would have been the top of this or last year's list. Splitting it did a disservice.

5
Charlize Theron OWNS this movie, and carries it in such a strong way. It's a totally original, and pathetic, character that I would actually like to see in another film. Patton Oswalt is also a standout.

4
Style AND substance? Gosling gives a unique performance here, rarely saying anything but extruding emotion at every turn. Carey Mulligan gives a subtly strong performance as well. The action is sudden and shocking in a way true violence always is. And Albert Brooks gives pathos to a seemingly unredeemable person. And of course I loved the 80s-ness of it all.

3
David Fincher is my favorite director and everything he's done here is great- but it's not 'Social Network'. Rooney Mara is GREAT in this movie- different and better than Noomi Raprice's representation in the Swedish version. And this is my favorite Daniel Craig performance since 'Casino Royale'. I'm actually not a fan of his, but he works well here. The score by Trent Reznor and Atticus Ross, again, notches this up. 

2
Lars Von Trier's last film 'Antichrist' was not enjoyable. It was abrasive and angry and made me feel contempt for the director for putting it to screen and making Charlotte Gainesbourg do those awful things. But, 'Melancholia' is totally different. I love this film. I'd say Kirsten Dunst deserves the Best Actress of 2011 title for this role. It's so effective and raw, it's heartbreaking and truly a scary look at how deep depression can go. 

1
Just a phenomenal film. I still find myself thinking about it randomly. No film has ever captured the essence of life as effectively as this film. If you don't have the patience for it, too bad for you. I understand how people dislike this film, but disagree with them at every turn. Hands down the top film of the year.

Sunday, January 1, 2012

2012 begins

So I hope everyone's New Years were successful. Mine was, for the most part. It's strange, once again I didn't realize we were counting down till "4". Although two midnight kisses felt good ;-) Things are just different. My life is different, New Years confirmed that for me in some weird way...I started the day with a Black Keys tune fest, declaring 'Things Ain't Like They Used to Be" my overall favorite Keys track.

Give it a listen, it's as soulful as Black Keys gets. They rock & roll with earnest.

Thursday, December 29, 2011

I wrote, quite a bit...lol


So, I’m currently getting back in touch with a lot of things because of recent events. Myself, and my love of movies for sure. But the cynical movie critic in me has really come forth- so I’m getting into watching old supposed classics. What better timing to get into early Woody Allen films apparently, since I finally watched ‘Annie Hall’ last week before seeing the new ‘Ebert presents’ review show. Showcasing an old episode in which Ebert and Gene Siskel, the original television critics, compare and contrast Mel Brooks and Woody Allen. Siskel was for Allen, Ebert for Brooks…I agree with Siskel.
I’ve wanted to watch ‘Annie Hall’ for awhile now. But I was surprised to like it as much as I did. It had a definite flow and energy to it. The performances were all raw, felt on the spot. It moved quickly, didn’t overstay it’s welcome, and ended on a bleak yet somewhat still uplifting final break-up. It was a charming movie, still, through and through.
‘Manhattan’ I instant queued right after watching the ‘Ebert presents’ special, and I must say I really enjoyed it. I really like Diane Keaton, she’s different and has a style all her own. She steals ‘Annie Hall’ and ‘Manhattan’ from Allen, but I think he wants her to. His neurotic passion for everything is inspiring, cause everything tends to work in his favor, even when they break-up for good in ‘Hall’. You still feel as if he’ll neurotically go through life happy. I don’t want to be neurotic, but I have my moments. Everyone does. He’s a walking neurotic awareness poster.
‘Manhattan’ was obviously a love letter to New York. I’ve never wanted to visit the city more. And I must say I rarely enjoy black & white films, but being an obvious creative choice I have to say it’s probably my favorite B&W film I’ve seen. He plays with the B&W in a way to wear it makes the film, one, timeless, and two, an effect. Turning on and off of lights, the screen goes dark but the neurotic babble commences. But it’s always interesting babble. I enjoy films about dialogue, when it’s done in truly effective ways.
Take anything from Quentin Tarantino, Scorsese, Spielberg, all the greats- all those classic films are ripe with sparkling dialogue. ‘The Social Network’ felt like the most amazing run-on sentence in cinema history. It never skipped a beat. Out of recent, and by recent I mean “my” movie-going life in an actual theater, only two Woody Allen films stood out to me. ‘Match Point’ and ‘Vicky Cristina Barcelona’- two very different films, both neurotic without truly neurotic characters. ‘Match Point’ was an especially effective thriller, nothing funny about it at all really. I’m not surprised to hear Ebert and Siskel discuss ‘Manhattan’ as Allen growing more serious, as obviously he did just that. I’ve not seen ‘Midnight in Paris’ but I might make sure to get out to see it this week before it’s gone.
‘Annie Hall’ and ‘Manhattan’ both would get a solid A+

'Midnight in Paris' disappointment

So, just recently my cinema tastes finally arrived upon the classic Woody Allen films of the 70s- namely 'Annie Hall' and 'Manhattan'. Two films I genuinely loved and instantly bought. That doesn't happen all the time, and I love when it does happen. I was actually rejuvinated by film again. I really wanted to see 'Midnight in Paris' when it came out this summer but I failed to do so. But I had eagerly waited to OnDemand it the day it came out. Maybe I would have liked it better if I'd seen it this summer...

The last 10 minutes of 'Manhattan'...better than ANY 10 minutes of 'Paris'...

There are a lot of signature Woody moments, and Owen Wilson's Gil could be a descendant of Woody Allen's Alvy from 'Annie Hall' but the problem with the film lies with his romantic partner. Diane Keaton was so real and naturally beautiful, and more fleshed out. Here we have two love interests, one real and one (supposedly) imaginary. Rachel McAdams is just miscast, somehow, and overshadowed by Marion Cotillard's imaginary Adriana. Maybe a second viewing help, but I felt McAdams and Wilson lacked the chemistry necessary for me to care about their relationship dilemmas.

Effortless conversation scene from 'Annie Hall' over a plate of "here comes the 80s"

People saying this is Allen's best film since his heyday are forgetting 'Match Point'- certainly not the light-hearted 'Paris' fare. It's a very strong film, with great performances (maybe Scarlett Johnasson's best). As for 'Midnight in Paris' I must say I was highly disappointed with my OnDemand service which gave me the film in full screen, no HD, nothing. Some of the luster of the film was surely lost viewing it like this. I still don't think the characters pop as well as his best. I'm going to repost my blog on Allen I wrote earlier this summer on my tumblr blog just to compare expectations to reality and more talk about Allen's classic films.

Sherlock Holmes 2

Less impressive than 'Girl with the Dragon Tattoo' was the sequel to 'Sherlock Holmes'- subtitled 'A Game of Shadows' because Sherlock mutters it once early in the film. The further away from it I get, the worse I find it. The more empty I find it. Robert Downey Jr. is perfect in the role, it's Jude Law's best role in years- yet both film's have let them down. They are empty, soulless films. I think I prefer the first simply because the novelty factor was stronger then. And I preferred some of the musical queues and slightly darker subject matter.

What the Flick gives you their thoughts...

Yet it's strange that the villain was better this time around, Jared Harris (who is great on 'Mad Men'), plays Moriarty. Apparently Brad Pitt was originally attached to this role- I'm glad he let Harris have the opportunity to show his skills to the masses. But there isn't enough moments of sly, intellectual battles of wits between him and Holmes that would have made this more interesting. the slow motion action is cool at first and ultimately lose their luster.

And why is Noomi Raprice in this movie? Rachel McAdams? These films just haven't gotten it right yet.

Girl with the Dragon Tattoo (2011)

Okay, so I find it hard to sit and type out extended film reviews like I used to be able to. Even movies I like a lot I can't find the gumption to write about. Does that mean that just aren't THAT good? Have movies gotten so bad we're excited about shit? No way- 'Girl with the Dragon Tattoo' is a mean, grimy slap in the face of the Christmas moviegoing season and I love it even more for it. The wintery setting was as icy as it's characters. David Fincher created another masterpiece with this film- and it's only hampered by being pre-dated by a good-as-well Swedish original.

She owns this role, sorry Noomi Raprice, you sucked in 'Sherlock 2' anyways...

If THAT film didn't exist, this film would have been bigger and even more well received. I've not gotten the chance to check it out again but I really want to. Rooney Mara absolutely STEALS this away like I thought she would. Her oh so brief moments in 'Social Network' were so spot on perfect she instantly shot towards the top of my most liked actresses working today. That opening scene of 'Social' is ELECTRIC I say, electric. The whole movie. I could geek about that movie for a ridiculous sum of time. But in 'Tattoo' Mara totally transforms herself into Lisbeth Salender, and I understand her mass appeal that has caught on. She's a strong, multi-layered character that any actress should have been dying to play and Mara nailed it- imagine Katherine Heigl doing THIS shit. (Btw, f*ck that Heigl bitch!)

Mara owning it in 'Social Network' last year...

Daniel Craig delivered one of his favorite performances of mine in this movie as well. He dials his Daniel Craig-ness down wayy low where it needs to stay. Aside from the Bond films, his macho British bullshit is boring. Here he gives us shades of the character in spurts, enough to know and care- and wisely he doesn't try to steal moments from Mara. This is the first time Craig has played a submissive dweeb right? The rest of the cast is superb across the board, Fincher always gets solid performances through his abrasive but if-you-ask-me HIGHLY effective directing quirk of doing a zillion takes. Every one of the lines come across fluid, and everyone is completely in character all the time. Even highly recognizable faces like Stellan Skarsgard compose the illusion. Big ups to Joely Richardson, who I think really made her few scenes count. She was always one of my favorite parts of 'Nip/Tuck' and wish she'd get more solid work.

Total transformation...I have to say I prefer looking at pre-this pic Mara. Just sayin.

Gotta talk about the great Trent Reznor/Atticus Ross score. It's a beast, and sticks in your head just like some of the 'Social Network' beats. HOWEVER, this is NOT as good as the 'Social Network' score. It's a longer movie and there are way fewer stand-out moments than 'Network' had. I got chills during several scenes of 'Network' (still do, actually) and I can't recall any chills due to the score here. More so I felt chilled the whole time watching the icy nightmare on screen.

Overall, I have to say while this marks the third film in a row of David Fincher to make my number one spot for the year (2010 'Social Network', 2008 'Benjamin Button'). He's easily my favorite director working today and I look forward to anything he has to offer. While his 'Dragon Tattoo' isn't quite 'Social Network' great- it achieves it's own high praise.


Wednesday, December 21, 2011

Big Movie Day

So, BIG moviegoing day today- 'Girl with the Dragon Tattoo' (FINALLY!) and 'Young Adult'. Initial thoughts- 'Young Adult' is more immediately likable, even with a wretched main character. But EVERYONE in 'Dragon Tattoo' was somewhat wretched. It's a brutal, uncompromising and bold film. I wish I hadn't seen the Swedish version prior. Totally fresh would have been ideal. It's not 'The Social Network' or 'Zodiac' but it's still impeccable in this year's crop.



Charlize Theron totally makes 'Young Adult' what it is. Her and Diablo Cody's funny (in sad ways) script. She is a HOT MESS, straight up. I can't wait for a sequel.

Tuesday, December 13, 2011

'Fright Night' for the 'Twilight' Set

Okay, so for some reason I failed to see the remake of one of my favorite 80's horror films, 'Fright Night' while it was in theaters. Something about this being 3D has bothered me since the first trailer. It doesn't need to be in 3D, that's for sure. Having watched it today in regular old 2D, I have to say I was pleased despite the occasionally cheesy 3D effect (in 2D!) ruin an otherwise okay moment in the film.


It updates the original film in several ingenious ways that should definitely stand out to fans of the original film- yet does enough to modernize the film and make it feel like more than a retread of previous material. Anton Yelchin is great here, but he tends to be. His Charley Brewster is less immediately likable than the William Ragsdale's original but as the film progresses he makes it work. Imogen Poots (whataname!) is hot and makes Amy less annoying than Amanda Bearse did. But stealing the show is Colin Farrell. THIS is a vampire. I like that this remake didn't shy away from being a little mean-spirited and enjoyed how it stumped my expectations by progressing much differently than the original. The audience (and most of the main cast of characters) are aware Jerry is a vampire ("Jerry, the vampire?!?! ha") maybe 20-minutes in. I thought my OnDemand had skipped ahead, but once I got into the film's groove I enjoyed it.

Tuesday, December 6, 2011

'Black Keys' El Camino Review Coming...

My track by track review, with (hopefully) working links will be up later...honestly probably not till tomorrow. But I've listened through the CD practically twice and love every track- some more than others, but overall- it's awesome. These songs speak to me in shocking ways, like the album was tailor-made for me (thanks guys). But seriously, they just make great music. I can't wait to see them headline March 2nd in Cinci!

Early contender for favorite track...

but I've been listening to that for a few days...so it's gestated. Right out of the gate, this could end up my favorite...


Also I'm working on reviews of some Oscar contenders I caught on screeners at a friend's house. I felt bad watching them, but in my defense of one ('Carnage') I probably won't be able to see it anytime soon because I'm not special enough to be in NY/LA. I hate how that works out, but thank God for Baxter Avenue Theaters here in Louisville. The other film, 'Martha Marcy May Marlene' DID open around here and I couldn't get a chance to go...but I really wanted to and it lived up to my high expectations in a weird way. But my thoughts on those two films as well as my thoughts on the Oscar-hopefuls so far.

Friday, December 2, 2011

Further proof...

North American 2012 TOUR DATES for Black Keys were released just hours after that last post. First stop, Cincinnati. On a Friday. Tickets on sale next week. It's happening.

'The Black Keys', Seriously?

Why are they suddenly the most awesome band ever? I caught them opening for 'Kings of Leon' at what, I suppose, was the downfall of my love for THAT band. Their set sucked and lacked the energy of the 'Black Keys' warm-up act. I need to see them in concert, immediately. It's already sounding like this album is going to be speaking directly to me- like this is going to be serious. "She's the worst thing I've been addicted to?" For real? "I got a love that keeps me waiting." That's going to be my new anthem.

What the Flick?!?



Here's a weekly film critique show that I find myself looking forward to, and now they are updating their look and style...do they have visions of grander platforms? I hope so. But they are genuinely entertaining to watch and their discussions of the films are more about genuinely critiquing the films, rather than offering an extended synopsis and saying rather it's good or not. Unfortunately that's what 'Ebert presents' was starting to rectify before unfortunately being taken off the air. That's a bummer, but another (better) review show is available every week. Btw, I REALLY want to see 'The Muppets'- and I've never been a huge fan of the show.

Jason Segel is awesome however, and I'll get laughs just remembering his puppet bits in 'Forgetting Sarah Marshall' (a movie, I fear, is way underrated). Amy Adams is always a plus. But the reviews are just glushing and it seems like a truly feel-good movie. Could be good.

Thursday, December 1, 2011

'Hangover II' Thoughts


Okay seriously, what were they thinking with this sequel. It's maybe the new golden standard of what NOT to do with a sequel to a surprise blockbuster- copy the whole fucking movie. This is a remake people, not a sequel. It's got inspired moments- my favorite is the look at the gang as kids, which is all kinds of fucked-up-awesome. More genuine shock and awe like that was needed to make revisiting the same general scenario again, worthwhile. Mr. Chao's small pecker sticking out for  everyone to see wouldn't have been fun, for anyone, in 3D.

The cast is tired. Zack Galifanakis just doesn't want to be there. the only one trying is Ed Helms and he's trying too hard. And why not bring Justin Bartha into the action? Last time it was funny, yeah he was stuck on the roof. Why is he not "with the guys" this time? He's obviously being ostracized. Bradley Cooper, I used to like him, and now I don't. He's smug. It's kinda his thing in this series, but he plays it SO well.

Watch the clip below for the film's best scene.